Dr. Elizabeth C. Miller will be presenting her talk “Slow Print: William Morris and Socialist Print Culture” in Special Collections and Rare Books on Friday, February 10, as part of the Print Culture Speakers Series. Dr. Miller’s talk will reference items from the Library’s Robert Coupe Collection of works by and about William Morris.
This talk situates William Morris within a flourishing, late-nineteenth-century radical print culture that Miller terms “slow print” due to its purposeful rejection of the strategies of mass print production. While Morris’s work as editor for the Socialist League’s newspaper Commonweal in the 1880s has sometimes been considered at odds with his founding of the Kelmscott Press in the 1890s, the two print adventures are united by a shared goal to reclaim the means of print production from a newly consolidated late-Victorian mass print industry.
Simon Fraser University’s outstanding Morris collection, inclusive of radical ephemera as well as Kelmscott volumes and other examples of fine printing, will be on display in conjunction with the talk so the audience can examine the works for themselves.
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Dr. Elizabeth Miller is professor of English at the University of California at Davis. She is the author of numerous articles and essays on Victorian print culture, radical politics in 19th century England, Oscar Wilde, Alfred, Lord Tennyson, and more recently ecocriticism and Victorian studies. Dr. Miller’s first book, Framed: The New Woman Criminal in British Culture at the Fin de Siècle (University of Michigan, 2008) examined late Victorian crime narratives to understand the figure of the glamorous New Woman criminal.
In Slow Print: Literary Radicalism and Late Victorian Print Culture (Stanford, 2013), Miller explored Britain’s radical press from 1880-1910; Slow Print won the award for best book of the year from the North American Victorian Studies Association and was an honorable mention for the 2014 Modernist Studies Association best book prize. Her newest work is on ecology and capital in 19th century British literature and culture.
This talk will take place on Friday, February 10, 2017 from 2:30 pm – 4:00 pm at W.A.C. Bennett Library [SFU Burnaby], Special Collections and Rare Books, Room 7100.
Free event, no registration required.
SFU Special Collections and Rare Books is pleased to announce the Robert R. Reid: “Allied Arts” Affirmative exhibition produced by the CAUSA Research Curators, and located on the 3rd floor and 7th floor of the W.A.C. Bennett Library (SFU Burnaby) from January–March 2017.
A fifth generation Canadian (b.1927), Robert R. Reid, at age 14, taught himself to operate a ‘hand press’ –so as to channel his absorbing interest in the practicalities of letterpress printing. His subsequent association with architects, landscape designers, poets, graphic artists (and editors for magazines and journals) has become emblematic of a post-WWII ‘Allied Arts’ Movement in Canada. In 1962, he became the first ‘design practitioner’ to be awarded a Canada Council Visual Arts Award.
DATE CHANGED: Join SFU Library on Monday, March 20, 2017, 12:30 to 2:30 pm for a curators talk and reception in Special Collections, Room 7100, W.A.C. Bennett Library. Please email Melanie Hardbattle to RSVP.
The Robert R. Reid: “Allied Arts” Affirmative exhibition presents an assemblage of documents generated between 1949 and 2017. Components of the present exhibition will be intermittently replaced (and/or rearranged), in order to maximize the scope of an exploratory curatorial initiative.
Join SFU Library for a lunchtime poetry reading in Special Collections on Thursday, January 26, 2017.
Room 7100, 7th floor of the W.A.C. Bennett Library, SFU Burnaby, BC.
Stephen Collis’s most recent, and seventh, book of poetry is Once in Blockadia (Talonbooks 2016). Currently he is visiting and writing about poet Phyllis Webb. He lives on Coast Salish Territories and teaches poetry at Simon Fraser University.
Juliane Okot Bitek was born in Kenya to Ugandan exiles and now lives in Vancouver. A teacher and UBC doctoral candidate in Interdisciplinary Studies, she is also an essayist and poet whose work has been anthologized and published widely in literary magazines, online and in print. Her powerful and critically praised book of poems responding to the Rwandan genocide, 100 Days, was recently published by University of Alberta Press.