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Apply for the Master of Publishing program by February 1, 2022!

Don’t miss out on this opportunity — Learn how to apply here!

SFU’s Master of Publishing (MPub) program is the only program in Canada to offer a postgraduate degree in publishing, and is the country’s premier training ground for publishing professionals.

Taught by publishing practitioners and research faculty, along with masterclasses from industry leaders, the program offers a blend of seminar and hands-on project courses that provide tomorrow’s industry leaders with the knowledge, skills and understanding needed for a successful career.

Students who graduate from the program will gain…

  • A solid grounding in the informing principles as well as the art and business of publishing
  • Connections with working professionals who will become their colleagues
  • Invaluable practical skills to carry into a career in any print or online publishing activity!

SFU’s MPub program helps graduates develop the practical and conceptual tools they need to launch their career in the fast-changing publishing industry and contribute to the creative sector in Canada and beyond.

The deadline to apply for the MPub program is February 1, 2022.

To be considered for admission to the Master of Publishing program, applicants must have a bachelor’s degree with a minimum second-class average (3.0 or greater GPA).

Applicants must also:

• Demonstrate a background understanding of the publishing industry;
• Be capable of using page layout software;
• Be familiar with the basic principles of marketing and accounting;
• Demonstrate basic competence in copy editing and proofreading;
• Demonstrate excellent skills in spoken and written English.

Apply now!

Contact
To request more information on the Master of Publishing program, please contact:

Jo-Anne Ray, Program Advisor

Phone: (778) 782-5242
Fax: (778) 782-5239
Email: pub-info@sfu.ca

Address: Program Advisor
Master of Publishing Program
Simon Fraser University Vancouver
515 West Hastings Street, Room 3576
Vancouver, British Columbia
Canada V6B 5K3

Student Services
For general information on graduate regulations, fees, scholarships, awards, and bursaries, or to request a Simon Fraser University Calendar, please visit SFU Student Services.


Levelling Up: Casey McCarthy’s Publishing Journey

When SFU School of Communication alum Casey McCarthy received a promotional email about the master of publishing (MPub) program, she decided to pursue the program to upgrade her strengths and abilities.

“I just wanted to take my skills to the next level. I was looking for something more transferable. I didn’t want to focus on one set path, but focus on things that I really enjoy doing — which is writing, research, and conveying information,” McCarthy says.

She was intrigued by the MPub’s media project which involved putting together proposals, a business case, and coming up with an original media business. She was able to apply what she learned as a communication and publishing student to this project while further developing other skills.

“It was time to try something new, while using my existing skills in a different way,” McCarthy explains.

Self discovery

Not only did the Master of Publishing program teach her the process of writing, publishing, and selling a book, but McCarthy expresses that it also helped her learn more about herself on a deeper level.

Casey McCarthy working in her professional placement
Casey McCarthy working in her professional placement for her Master of Publishing.

“I’ve learned more about what my values are, the kind of career path I’d like to see myself have, the kind of organization I’d like to work with, and the kind of people I’d like to work with,” she shares. 

In addition, the program helped her work on her decision-making skills. Receiving criticism on her projects from different industry guests taught her to make solid decisions and understand why she made them.

In these scenarios, students would present, pitch, and defend their ideas in a way that made people understand it clearly.

“I learned that you cannot please everyone. Not everybody is going to agree with you, so you need to be able to explain your rationale for making your decision, and try to persuade them about why it’s a great idea. You need to stick to your guns,” McCarthy emphasizes. 

Skill development

Although she has been pursuing her masters degree online, she says the program helped her develop interpersonal skills through group dynamics. 

“In the program, you learn a lot about working in a respectful and collaborative way. Great ideas come out of this positive, collaborative, creative environment.”

Drawn to work on communications and publication projects for an institution like SFU, McCarthy hopes to also explore her passion for writing and research in her long term career.

If you have an interest in hosting a Master of Publishing student for their professional placement, please contact Suzanne Norman at snorman@sfu.ca


Professional Placement Profile with Claire Cavanagh

 

During the Summer, Claire Cavanagh, a current MPub student moved from Vancouver to Newfoundland to complete her thirteen-week professional placement with Breakwater Books, a publishing company with a focus on trade and celebrating the unique stories of Newfoundland and Labrador. Claire has now completed her professional placement as a Foreign Rights Consultant and has transitioned to a full-time position as a sales coordinator.

For many students, one of the most challenging tasks in the MPub program is securing a professional placement.

One piece of advice that Claire gives is to research the company you are interested in and network with employees from there, even if there are no job postings online.

For Claire, that is exactly what she did. While doing her research, Claire found that Breakwater Books had an outstanding Foreign Rights Program. With guidance from the SFU Publishing Program, Claire was able to talk to Rebecca Rose, CEO of Breakwater Books. Although Claire had no prior experience with foreign rights, Rebecca was impressed with her interest and their conversation. Eventually, Claire was offered a professional placement as a Foreign Rights Consultant.

Initially, Rebecca never thought of reaching out to SFU Publishing for professional placements because it was very far from Newfoundland. One of the challenges at Breakwater Books was the difficulty of finding qualified trained publishing professionals in Newfoundland. Many departments required one person to do two roles. The Program’s industry liaison, Suzanne Norman, a native of Newfoundland, has long wanted to work with Breakwater Books and was overjoyed to finally work with the company.

Moving forward, Rebecca says that she would recommend and look into the professional placement program at SFU when hiring.

 

One of the things that Claire enjoys about Newfoundland is the beautiful scenery and culture of the city, which is similar to her home country of Ireland.

“There are so many artists, plays, authors, book readings, literary festivals and galleries that make the place so unique and special,” she says. In addition to this, Rebecca is also proud of their community and literary festivals that allow them to showcase their local authors.

One of the exciting initiatives they are working on is the preparation of the Frankfurt Book Fair, the world’s largest trade fair for books, which is happening in October 2021 in Frankfurt, Germany. Canada was the Guest of Honour at the fair in 2020, but due to Covid, the Honour continues into 2021.

Frankfurt is the premier industry event during which authors, agents, and publishers run through frantic days of selling and buying rights internationally. For Breakwater attracting interest in their titles can make a huge difference in yearly sales.

To prepare for the Frankfurt Book Fair, Claire’s tasks have ranged from contacting different agents, setting up pitch meetings, working on subsidiary rights (which can include translations, language, geographical among others), and preparing for non-stop meetings and networking. Although everything felt very new in the beginning, she honed many different skills such as pitching and navigating the international diversity of the publishing industry.  In this role, Claire worked independently and developed deep and lasting connections within the industry.

Through her professional placement, Claire has realized that she loves working on deals and foreign rights, and this is now her career aspiration. As Claire digs into her first full year at Breakwater Books, she offers this advice to publishing students or even those who are just entering the industry:

“Consider jobs in smaller cities. There are great publishers all over Canada and taking the chance to do something different can be a fantastic opportunity for a person to grow professionally and personally.”

 

If you have an interest in hosting a Master of Publishing student for their professional placement, please contact Suzanne Norman at snorman@sfu.ca

About Breakwater Books:

Established in 1973, Breakwater Books was founded on the principle of preserving the unique culture and stories of Newfoundland and Labrador and the Maritime provinces.

Since that time, Breakwater has developed into a high-quality trade publisher, releasing twelve to sixteen titles a year – including children’s picture books, young adult fiction, educational curricula, literary and commercial fiction, non-fiction, and poetry – while continuing to support its culturally significant backlist titles.

Breakwater takes pride in fostering the careers of emerging and established writers alike. Many authors and titles maintain strong links to Newfoundland and Labrador and the North Atlantic, while other Breakwater authors hail from all parts of Canada. A burgeoning translation and foreign rights program makes Breakwater’s list of both national and international interest.

For more information contact Breakwater at: info@breakwaterbooks.com


Emerging Leaders in Publishing Day 1 Highlights

This year, we held our first virtual Emerging Leaders in Publishing Summit from February 9 – February 12, 2021. Joined by more than 25 industry professionals, students and attendees were able to connect and discuss about the latest changes in the publishing industry. To replay and watch the Day 1 videos, click here to see “The Gift of Never Landing” with Juliane Okot Bitek and Sophie McCall and here to see  “How to Make a Thriller” with Samantha Bailey, Amy Stuart, Catherine McKenzie, and Nita Pronovost.

The Gift of Never Landing Conversation

We kicked off the day with introductions followed by “The Gift of Never Landing” conversation with Juliane Okot Bitek and Sophie McCall. In this conversation, Acholi Canadian poet Okot Bitek talks about her experience being a poet, finding her voice, writing and publishing on social platforms, her award-winning book 100 Days, navigating the publishing process, and working in collaboration with other Black and Indigenous artists.

Growing up, Bitek never came to know what it meant to come from a country and live in it. Most of her life, she lived away and struggled with the idea of belonging. Lately, she came to understand that it’s ok not to be from somewhere, and to never land. Thus, the name of the conversation “The Gift of Never Landing” was inspired by her experience growing up.

As an author and poet, Bitek has written many notable works such as Sublime: Lost Words, Gauntlet, and 100 Days. The process for writing 100 Days was quite different compared to her other works. Inspired by a photo posted on social media by Wangechi Mutu in memory of the 20th anniversary of the Rwandan genocide, Bitek decided to write a poem each day for 100 days and posted it on social media. These poems were written to commemorate the Rwandan genocide and drawn on her own family’s experience of displacement under the regime of Idi Amin. As a witness to genocide, Bitek felt a sense of responsibility to spark meaningful conversations and have others think about what happened in the past.

One way to remind others about the past and to learn and inspire others about important issues is to have the message conveyed through art. Recently, Bitek collaborated with Chantal Gibson to create the new street-facing art on the windows of the SFU Library called “un/settled.” Un/settled aims to centre Blackness and celebrate Black thought & creativity in a climate of systemic violence against Black, Indigenous, and people of colour.

How to Make a Thriller Conversation

Next, we had a panelist of thriller authors Samantha Bailey, Amy Stuart, and Catherine McKenzie with their editor, Nita Pronovost, for a spine-tingling discussion about their writing process.

The authors spoke about the importance of having a premise and a pitch when writing a story. Most importantly, the premise must be “sticky,” meaning that you must be passionate and invested in your story that you are willing to spend the next couple of years building the storyline. As Catherine notes, “If it’s not going to be sticky to you, it’s never going to be interesting or sticky to a reader.”

One concern that upcoming authors have is whether their story will be able to sell in the market. Samantha advises to “never write to a trend because the trend will be gone by the time you write half the book.” She also emphasizes on the significance of passion and how “it has to be the story that you would want to read, so others will read it.”

Another challenge in the writing process is having writer’s block. Amy suggests overcoming this challenge by understanding your capacity, writing in a shorter time period, and setting a goal. She adds that “If your capacity is 5 minutes, then figure out how to write for 5 minutes. Don’t think about the novel you haven’t written yet.”

Throughout the event, attendees were delighted to have their questions answered by their favorite authors, with topics ranging from their writing inspiration to their writing process.


Meet Lauren Dembicky-Polivka – MPub Alumni

Lauren Dembicky-Polivka is an MPub’18 Alumni who is currently working as the Development Manager at the Vancouver Writers Fest. We sat down to ask her some questions about the upcoming festival and how her Master of Publishing (MPub) degree has helped shape her career.

1.How has the MPub degree helped you with your career and role as the Development Manager at the Vancouver Writers Fest?

The MPub program gave me a solid understanding about the different aspects of publishing and allowed me to build valuable connections with industry professionals. Since the program gives such a broad overview of the publishing industry and allows you to work with different students on many projects, I felt well informed and prepared to work upon graduating. As an MPUB student, I had the opportunity to attend events like the Vancouver Writers Fest, where I learned more about the organization, built meaningful connections, and eventually ended up working there!

As the Development Manager, my tasks include overseeing the fundraising, getting sponsorships, working with community partners, and managing donors and grants. Although this role is different from my initial role as a marketing and development coordinator, the MPub program allowed me to understand the different aspects of publishing and develop a diverse set of skills that has helped me with my career.

2.There are a few MPub alumni working at the Vancouver Writers Fest. What makes this organization such a good fit for our alumni and co-op students?

What makes the Vancouver Writers Fest so fascinating is that you get to work in such a broad and special space where everything is always changing. There are always new programs, different authors, and exciting events throughout the year. For co-op students, you get the opportunity to work on many different tasks and talk to a wide range of teams such as marketing, administration, etc. This is a space where everyone’s opinions from the team are valued and so many unique voices can be heard.

3.How has the Vancouver Writers Fest evolved since you joined in 2018?

Since I joined in 2018, we have added many events such as Books and Brunch and Free Saturday. I especially love Free Saturday, because it allows those with financial barriers to attend events at a pay-what-you-can rate. This is especially important as a non-profit organization because we want to be more inclusive and allow as many people to attend as possible. With that in mind, we made many of our programs such as the Youth Education Program more accessible during covid-19 by transitioning them from in-person to virtual spaces. Every year, we continue to evolve and ask ourselves what role we want to play in the publishing industry, while keeping our values of accessibility and inclusivity in mind to best serve all members of our community.

4.What will this year’s annual Festival look like?

This year we are hoping to have a hybrid Festival with more international authors holding events online and domestic authors in-person on Granville Island. We are currently planning some very exciting events for attendees.

Stay tuned to our website for more updates on the upcoming events and the annual Vancouver Writers Fest happening from October 18-October 24, 2021!

5.Who do you think should attend this year’s Festival and how can they make the most out of it?

Since the Festival has a wide range of authors and events, I recommend anyone who would like to engage in meaningful conversations and hear about important dialogues of today to attend the Festival. Regardless of what you are interested in, the Writers Fest has so many different opportunities for you to explore and discover what you could potentially like. To make the most out of your experience, try attending an event that you normally would not think of attending.

6.What advice do you have for MPub students interested in working for an organization such as the Vancouver Writers Fest?

My main advice is to be open-minded and explore different areas that you can work in. Many of the MPub students that I graduated with ended up in a different career than they had originally envisioned. Try gaining a deeper understanding of the different aspects of publishing by attending events and building connections with members of the industry. You never know until you try!


SFU Publishing Launches the Greg Younging Publishing Award Endowment

Cree man with dark hair and glasses guest lecturing at a university

It is with great pride and pleasure that the SFU Publishing Program announces the establishment of The Greg Younging Publishing Award Endowment.

The endowment will create a fully funded opportunity for an Indigenous student to complete the Master of Publishing (MPub) degree at Simon Fraser University.

This award honours Dr. Gregory Younging, who was the first Indigenous graduate of the MPub. It was during his studies at SFU that Greg began his work on what would become the influential book, Elements of Indigenous Style: A Guidebook for Writing By and About Indigenous Peoples. The guide is fast becoming a staple for writers, editors, and publishers throughout North America.

“Greg was a huge presence in publishing in Canada. We worked very closely with him here at SFU and following his passing on May 3, 2019 we knew we wanted to establish something lasting that would further his life’s work, which was to build a stronger Indigenous publishing infrastructure in Canada. Greg was very aware of the opportunities that education can provide, and we hope this endowment will be one of those opportunities. Having the support of publishers from across the country has been affirming. We are thrilled to announce today our first multi-year commitment: a three-year, $45,000 donation from Penguin Random House of Canada,” said Suzanne Norman, industry liaison for the SFU Publishing Program.

The endowment will be built over the next three years, with the goal of welcoming the first award recipient in fall, 2025.

The Master of Publishing Program is an 18-month professional program comprising academic and professional experiential learning. It was founded 25 years ago in consultation with members of the Canadian publishing industry which continues to strongly support the program’s students through hosting professional placements and as new hires, as well as teaching as guest faculty and serving on advisory boards and funding projects.

Applications to the MPub close each Feb 1, with successful applicants beginning their studies that fall.

For more information, please contact Suzanne Norman snorman@sfu.ca.

Download the full press release.


The Greg Younging Conversation

May 5th, 2 pm PST

Zoom

Free

Register at Eventbrite

Dr. Greg Younging was a nationally and internationally renowned expert on Indigenous publishing and a tireless voice and advocate for raising Indigenous voices in Canada.

In celebration of his work and his life, the Canadian Institute  for Studies in Publishing and the SFU School of Publishing are deeply honoured to launch The Greg Younging Conversation.

This annual event will celebrate all aspects of Greg’s work from poetry to music to building toward a robust and thriving Indigenous publishing industry in Canada.

Greg was a true bridge-maker and could bring together even the most disparate voices, even if just for a short conversation.

One of Greg’s earliest mentors was Jeannette Armstrong, founder of the renowned En’owkin Centre in Penticton. Jeannette is this year’s featured speaker and will talk about his work as a publisher, poet, scholar and advocate.

In true Greg style, this event will be a conversation and Jeannette will be joined by Deanna Reder, chair of Indigenous Studies at SFU. Time will be provided to open the conversation to all in attendance.

The Greg Younging Conversation will take place annually on the first Wednesday in May.

Jeannette Armstrong is Syilx Okanagan, a fluent speaker and teacher of the Nsyilxcn Okanagan language and a traditional knowledge keeper of the Okanagan Nation. She is a founder of En’owkin, the Okanagan Nsyilxcn language and knowledge institution of higher learning of the Syilx Okanagan Nation. She currently is Associate Professor and Canada Research Chair in Indigenous Okanagan Philosophy at UBC Okanagan. She has a Ph.D. in Environmental Ethics and Syilx Indigenous Literatures. She is the recipient of the Eco Trust Buffett Award for Indigenous Leadership and in 2016 the BC George Woodcock Lifetime Achievement Award. She is an author whose published works include poetry, prose and children’s literary titles and academic writing on a wide variety of Indigenous issues.

Deanna Reder (Cree-Métis) is an Associate Professor in the Departments of Indigenous Studies and the Department of English at Simon Fraser University. She is a founding member of the Indigenous Editors Association (see www.indigenouseditorsassociation.com); currently, she is co-chair, with Drs. Sophie McCall and Sarah Henzi,  of the Indigenous Voices Awards. (see indigenousvoicesawards.org)

Greg Younging may best be known more broadly for his work as the author of “Elements of Indigenous Style: A Guidebook for Writing By and About Indigenous Peoples” a seminal work that began during his time as a Master of Publishing student at SFU. The guide is fast becoming a staple for writers, editors, and publishers throughout North America.

His reputation in Canada as a leading scholar in Indigenous Studies often led him to take on important but sometimes very difficult work, including as Assistant Director of Research for the Canadian federal government’s Truth and Reconciliation Commission (TRC) of Canada.

Greg’s passion for making more space for Indigenous writing and publishing led him to complete a PhD focusing on copyright and Indigenous stories and at the time of his death in May 2019, he was a professor and co-ordinator of the Indigenous Studies Program at the Irving K Barber School of Arts and Sciences at the University of British Columbia-Okanagan.

A member of the Opsakwayak Cree Nation, Greg was the managing editor of Theytus Books, Canada’s oldest fully owned Indigenous Publisher from 1990 to 2003, returning to the role in 2016 until his death in 2019.

He has worked for a number of organizations including: The Royal Commission On Aboriginal Peoples, Assembly of First Nations, Committee Of Inquiry into Indian Education, Native Women’s Association of Canada. He was a member of Aboriginal Arts Advisory Committee of the Canada Council (1997–2001) and the British Columbia Arts Council (1999–2001).

As a professor at the University of British Columbia Okanagan, Greg had a profound impact on the university.

He published numerous works, including nonfiction and poetry.


‘The Gift of Never Landing’: A Conversation with Poet Otoniya Juliane Okot Bitek

The confluence of voices, languages, and poetic traditions in Otoniya Juliane Okot Bitek’s poetry reflects her sense of belonging and migration across many places. In this wide-ranging conversation, Acholi Canadian poet Okot Bitek will talk about her writing process as a poet, her experiences with publishing in Canada, her collaborative projects with poets and visual artists, and her practice of listening across histories, identities, continents.


Emerging Leaders in Publishing Feb 10-12, 2021

The year 2020 will long be remembered for the global Covid 19 pandemic. Lockdowns impacted work spaces as people scrambled to reorganize their work and home lives.

The whole world suddenly seemed to be online and publishers and retailers had to quickly up their game in the virtual space. Ironically, demand for books skyrocketed. Everyone was stuck at home and desperate for ways to pass the time. The 2021 Emerging Leaders in Publishing Summit reflects this changed world by going virtual and through discussing the many ways book publishing led innovation and embraced entrepreneurship, as well as the many challenges still left to meet.

Read more and register.


How to Make a Thriller

On Tuesday, February 9 at 2 pm, join psychological thriller authors Samantha Bailey (Woman on the Edge), Amy Stuart (Still Mine, Still Water, Still Here ), and Catherine McKenzie (I’ll Never Tell, Six Weeks to Live) with their editor, Nita Pronovost, for a spine-tingling panel discussion about their writing process.

Sponsored by Simon&Schuster Canada

 


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