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And the Cultural Appropriation Prize Goes to…White Writers

“Asking historically marginalized groups to do the emotional and social labor of fixing systems and structures to benefit white people is the height of arrogance, colonialism, and white supremacy. And in the instances when they’ve done the labor, they still don’t often reap the benefits of it. Editors never needed to publicly fund a pot of money for cultural appropriation—it has been funded all along.”

Read more of this article, written by Ebonye Gussine Wilkins, here.

 


Canada’s Greatest Storytellers: 1867 to 2017

A special Sesquicentennial show celebrating our finest Fiction Writers

With the help of superb author portraits by Anthony Jenkins appearing on-screen, publisher and author Doug Gibson roams the stage talking about our finest authors down through the years. Decade by decade, he chooses our best authors, English and French, and selects their very best books.

Each decade begins with a burst of Canadian music from the time. Then a contemporary photo reminds us of the historical setting, and a series of iconic works of art remind us of the wider artistic scene in which our writers worked. The result is a celebration not only of our writers and storytellers, but of our artists in general. The resulting reading list is now in great demand, and will be distributed at the show.

Already he has given this hugely ambitious show (with an Intermission when we reach 1967, the year when Gibson himself came to Canada) in the nation’s capital, Ottawa, and at the Toronto Launch in the Lieutenant Governor’s Chambers in Queen’s Park. After this Vancouver Launch, he will be taking the show across Canada for the rest of 2017, as his own tribute to our country and its writers, culminating in his praise of his author, Alice Munro.

WHERE   Vancouver, at Simon Fraser University’s Harbour Centre, Room 1400

WHEN      Wednesday, May 31, at 7pm

BOOK       Free tickets at pubworks@sfu.ca

 


Master of Publishing students final magazine media presentations – April 7th

Join SFU’s Master of Publishing students as they present their final magazine media projects.
This year we have combined the tech and magazine projects to expand upon the digital possibilities in marrying print and tech. Our students have created their own “maga” projects that explore the digital possibilities of magazine publishing today.

Friday, April 7th in room 2270 and running from 1:30 to 4:30.

 


Playful Generative Art: Computer-Mediated Creativity and Ephemeral Expressions

WEDNESDAY, February 8, 2017
7:00 pm – 8:30 pm
Room 1800 (SFU Harbour Centre)
Fee: Free (to reserve a seat, please email pubworks@sfu.ca)

“Generative art” is a blanket term for any creative work produced in part through programmatic or algorithmic means. “Playful generative art” makes use of highly technical disciplines—computer programming, statistics, graphic design, and artificial intelligence—to produce chat bots, digital poetry, visual art, and even computer-generated “novels.” These pieces may be motivated by serious social or political issues, but the expressions are decidedly unserious, often short-lived or quickly composed. Creators working in this medium are rarely artists first—as programmers, designers, game developers, and linguists, they use the tools of their trade in unexpected and delightful ways. Generative art also has much to teach us about issues at the intersection of ethics and technology: what is the role of the artist in a human/machine collaboration; what is our responsibility when we design programs that talk with real people; how do we curate and study ephemeral digital works? Digital artists, writers, technologists, and anyone interested in media studies are invited to attend.

Guest Speaker:


lizadalyLiza Daly
is a software engineer and occasional corporate executive who lives in Boston. She is currently focusing on providing technical assistance to non-profits that work to uphold civil rights and protect vulnerable populations. Her personal projects revolve around digital art, interactive narrative, and digital publishing. Formerly she was CTO at Safari and prior to that, founded a digital publishing company called Threepress, which Safari acquired. Her new company is World Writable. She has been quoted about “Digital Detox” and the effects of the iPad on reading (NYT, 2010), ebooks in the cloud (Wired, 2011), and on strategies to help introverts network (FastCompany, 2015). Liza has presented about great engineering teams and digital publishing. She wrote a short book on Next-Generation Web Frameworks in Python (O’Reilly, 2007), which, she says, is “out of date so please don’t read it”.


Editors needed – SFU’s Film Academic Journal

Cinema in Practice
Simon Fraser University’s Film Academic Journal

Editor / Selection Committee Member
[Part-time, temporary] Volunteer Position

In collaboration with the Editor-in-Chief and the Academic Advisor, the three selected Editors / Selection Committee Members will assist in selecting the submitted articles to publish in this year’s journal, and copy edit its text to meet the quality standards of Cinema in Practice.

Key responsibilities include:

● Reading all submitted articles and helping choose which to publish
● Detailed copy editing alongside fellow editors
● Enforcing standards for academic honesty and accuracy
● Maintaining bi-weekly meetings Successful candidate will be:
● Enrolled as an undergraduate student at Simon Fraser University
● Interested in and have a deep understanding of film studies
● Skilled in copy editing other people’s writings
● Able to collaborate with colleagues and writers
● Punctual and capable of working under pressure with short deadlines

START DATE: January 2, 2017
END DATE: April 30, 2017

How to apply:
Applicants should send a resume and cover letter outlining how they meet the specific requirements of the position to sfufilmjournal@gmail.com by November 27 at 5pm. Interviews will be taking place the following week.

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