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SFU’s Master of Publishing (MPub) program is the only program in Canada to offer a postgraduate degree in publishing, and is the country’s premier training ground for publishing professionals.
Taught by publishing practitioners and research faculty, along with masterclasses from industry leaders, the program offers a blend of seminar and hands-on project courses that provide tomorrow’s industry leaders with the knowledge, skills and understanding needed for a successful career.
Students who graduate from the program will gain…
A solid grounding in the informing principles as well as the art and business of publishing
Connections with working professionals who will become their colleagues
Invaluable practical skills to carry into a career in any print or online publishing activity!
SFU’s MPub program helps graduates develop the practical and conceptual tools they need to launch their career in the fast-changing publishing industry and contribute to the creative sector in Canada and beyond.
The deadline to apply for the MPub program is February 1, 2022.
To be considered for admission to the Master of Publishing program, applicants must have a bachelor’s degree with a minimum second-class average (3.0 or greater GPA).
Applicants must also:
• Demonstrate a background understanding of the publishing industry;
• Be capable of using page layout software;
• Be familiar with the basic principles of marketing and accounting;
• Demonstrate basic competence in copy editing and proofreading;
• Demonstrate excellent skills in spoken and written English.
When SFU School of Communication alum Casey McCarthy received a promotional email about the master of publishing (MPub) program, she decided to pursue the program to upgrade her strengths and abilities.
“I just wanted to take my skills to the next level. I was looking for something more transferable. I didn’t want to focus on one set path, but focus on things that I really enjoy doing — which is writing, research, and conveying information,” McCarthy says.
She was intrigued by the MPub’s media project which involved putting together proposals, a business case, and coming up with an original media business. She was able to apply what she learned as a communication and publishing student to this project while further developing other skills.
“It was time to try something new, while using my existing skills in a different way,” McCarthy explains.
Not only did the Master of Publishing program teach her the process of writing, publishing, and selling a book, but McCarthy expresses that it also helped her learn more about herself on a deeper level.
“I’ve learned more about what my values are, the kind of career path I’d like to see myself have, the kind of organization I’d like to work with, and the kind of people I’d like to work with,” she shares.
In addition, the program helped her work on her decision-making skills. Receiving criticism on her projects from different industry guests taught her to make solid decisions and understand why she made them.
In these scenarios, students would present, pitch, and defend their ideas in a way that made people understand it clearly.
“I learned that you cannot please everyone. Not everybody is going to agree with you, so you need to be able to explain your rationale for making your decision, and try to persuade them about why it’s a great idea. You need to stick to your guns,” McCarthy emphasizes.
Although she has been pursuing her masters degree online, she says the program helped her develop interpersonal skills through group dynamics.
“In the program, you learn a lot about working in a respectful and collaborative way. Great ideas come out of this positive, collaborative, creative environment.”
Drawn to work on communications and publication projects for an institution like SFU, McCarthy hopes to also explore her passion for writing and research in her long term career.
If you have an interest in hosting a Master of Publishing student for their professional placement, please contact Suzanne Norman at email@example.com
During the Summer, Claire Cavanagh, a current MPub student moved from Vancouver to Newfoundland to complete her thirteen-week professional placement with Breakwater Books, a publishing company with a focus on trade and celebrating the unique stories of Newfoundland and Labrador. Claire has now completed her professional placement as a Foreign Rights Consultant and has transitioned to a full-time position as a sales coordinator.
For many students, one of the most challenging tasks in the MPub program is securing a professional placement.
One piece of advice that Claire gives is to research the company you are interested in and network with employees from there, even if there are no job postings online.
For Claire, that is exactly what she did. While doing her research, Claire found that Breakwater Books had an outstanding Foreign Rights Program. With guidance from the SFU Publishing Program, Claire was able to talk to Rebecca Rose, CEO of Breakwater Books. Although Claire had no prior experience with foreign rights, Rebecca was impressed with her interest and their conversation. Eventually, Claire was offered a professional placement as a Foreign Rights Consultant.
Initially, Rebecca never thought of reaching out to SFU Publishing for professional placements because it was very far from Newfoundland. One of the challenges at Breakwater Books was the difficulty of finding qualified trained publishing professionals in Newfoundland. Many departments required one person to do two roles. The Program’s industry liaison, Suzanne Norman, a native of Newfoundland, has long wanted to work with Breakwater Books and was overjoyed to finally work with the company.
Moving forward, Rebecca says that she would recommend and look into the professional placement program at SFU when hiring.
One of the things that Claire enjoys about Newfoundland is the beautiful scenery and culture of the city, which is similar to her home country of Ireland.
“There are so many artists, plays, authors, book readings, literary festivals and galleries that make the place so unique and special,” she says. In addition to this, Rebecca is also proud of their community and literary festivals that allow them to showcase their local authors.
One of the exciting initiatives they are working on is the preparation of the Frankfurt Book Fair, the world’s largest trade fair for books, which is happening in October 2021 in Frankfurt, Germany. Canada was the Guest of Honour at the fair in 2020, but due to Covid, the Honour continues into 2021.
Frankfurt is the premier industry event during which authors, agents, and publishers run through frantic days of selling and buying rights internationally. For Breakwater attracting interest in their titles can make a huge difference in yearly sales.
To prepare for the Frankfurt Book Fair, Claire’s tasks have ranged from contacting different agents, setting up pitch meetings, working on subsidiary rights (which can include translations, language, geographical among others), and preparing for non-stop meetings and networking. Although everything felt very new in the beginning, she honed many different skills such as pitching and navigating the international diversity of the publishing industry. In this role, Claire worked independently and developed deep and lasting connections within the industry.
Through her professional placement, Claire has realized that she loves working on deals and foreign rights, and this is now her career aspiration. As Claire digs into her first full year at Breakwater Books, she offers this advice to publishing students or even those who are just entering the industry:
“Consider jobs in smaller cities. There are great publishers all over Canada and taking the chance to do something different can be a fantastic opportunity for a person to grow professionally and personally.”
If you have an interest in hosting a Master of Publishing student for their professional placement, please contact Suzanne Norman at firstname.lastname@example.org
Established in 1973, Breakwater Books was founded on the principle of preserving the unique culture and stories of Newfoundland and Labrador and the Maritime provinces.
Since that time, Breakwater has developed into a high-quality trade publisher, releasing twelve to sixteen titles a year – including children’s picture books, young adult fiction, educational curricula, literary and commercial fiction, non-fiction, and poetry – while continuing to support its culturally significant backlist titles.
Breakwater takes pride in fostering the careers of emerging and established writers alike. Many authors and titles maintain strong links to Newfoundland and Labrador and the North Atlantic, while other Breakwater authors hail from all parts of Canada. A burgeoning translation and foreign rights program makes Breakwater’s list of both national and international interest.
We launched the day with Ruth Linka, Associate Publisher at Orca Books; Adria Iwasutiak, Director of Publicity and Sales, Simon & Schuster Canada; Rob Firing, Literary Agent at Transatlantic, and Kevin Hanson to speak more about the future of publishing in acquisitions, publicity, contracts, rights, and agency. One advice for students who would like to work in marketing or communications is to make sure you are proficient with zoom. Another key insight for branding is that it is critical for a company to affirm their core values if there are any problems or public criticism.
Jane Friedman, co-founder of The Hot Sheet gave an exciting presentation on Publishing in a Pandemic: A Glimpse of Future Opportunities & Challenges. To recap the video presentation click here. One of the biggest surprises was that COVID has led to record sales in US print, with an 8.2% increase in sales. This growth was mainly driven by sales in children’s books, since parents wanted to keep their kids entertained and educated during lockdown. She also conveyed the significance of updating book keywords and information online so people can easily search for it. Below are some images from her presentation:
We also had invited Craig Riggs, Partner at Turner-Riggs and co-founder of ReaderBound, to give a presentation on Direct-to-Consumer Sales and Sale Writ Large. Craig spoke about the changes from brick-to-mortar stores to online sales channels. He also gave recommendations on how to drive more sales on websites by having more information about a book (awards, reviews, categories, etc), seasonal previews, showcasing books by having sections such as “must-read” and “latest releases”, running cheap experiments by collaborating with others, and more. Here are some images from his presentation:
Subsequently, we had panelists Brian Lam, President and Publisher at Arsenal Pulp Press; Elizabeth Hilborn, Rakuten Kobo’s Director of Content Sales, and Andrew Wooldridge, Co-owner and Publisher at Orca Books, Craig Riggs, and Kevin Hanson to talk about the changes in retail, sales, metadata, and social media. Particularly, they emphasized the importance of metadata and using social media and events for authors to engage directly with readers. To view the video recording, click here.
Next, we had Noah Genner, CEO & President of BookNet Canada to talk with our students about data in publishing and how the industry has been affected by COVID-19. Noah spoke about several topics such as bibliographic data, sales data, library circulation data, the Canadian book consumer survey, the Canadian leisure time and reading data, and ad-hoc surveys. Below are some images from his presentation.
Following Noah’s presentation, we invited Rania Husseini, Senior Vice President, Print at Indigo Books & Music; Cevin Bryerman, Executive and Publisher of Publishers Weekly, Noah Genner, and Kevin Hanson to discuss how COVID-19 has impacted the publishing industry and their respective workplaces. Specifically, they dived into subjects such as the challenges of the physical and online channels, how readers value diverse authors, supporting local authors, finding new ways for authors to engage with their readers, and etc.
To replay the video events from Day 2, click here.
We kicked off the day with introductions followed by “The Gift of Never Landing” conversation with Juliane Okot Bitek and Sophie McCall. In this conversation, Acholi Canadian poet Okot Bitek talks about her experience being a poet, finding her voice, writing and publishing on social platforms, her award-winning book 100 Days, navigating the publishing process, and working in collaboration with other Black and Indigenous artists.
Growing up, Bitek never came to know what it meant to come from a country and live in it. Most of her life, she lived away and struggled with the idea of belonging. Lately, she came to understand that it’s ok not to be from somewhere, and to never land. Thus, the name of the conversation “The Gift of Never Landing” was inspired by her experience growing up.
As an author and poet, Bitek has written many notable works such as Sublime: Lost Words, Gauntlet, and 100 Days. The process for writing 100 Days was quite different compared to her other works. Inspired by a photo posted on social media by Wangechi Mutu in memory of the 20th anniversary of the Rwandan genocide, Bitek decided to write a poem each day for 100 days and posted it on social media. These poems were written to commemorate the Rwandan genocide and drawn on her own family’s experience of displacement under the regime of Idi Amin. As a witness to genocide, Bitek felt a sense of responsibility to spark meaningful conversations and have others think about what happened in the past.
One way to remind others about the past and to learn and inspire others about important issues is to have the message conveyed through art. Recently, Bitek collaborated with Chantal Gibson to create the new street-facing art on the windows of the SFU Library called “un/settled.” Un/settled aims to centre Blackness and celebrate Black thought & creativity in a climate of systemic violence against Black, Indigenous, and people of colour.
The authors spoke about the importance of having a premise and a pitch when writing a story. Most importantly, the premise must be “sticky,” meaning that you must be passionate and invested in your story that you are willing to spend the next couple of years building the storyline. As Catherine notes, “If it’s not going to be sticky to you, it’s never going to be interesting or sticky to a reader.”
One concern that upcoming authors have is whether their story will be able to sell in the market. Samantha advises to “never write to a trend because the trend will be gone by the time you write half the book.” She also emphasizes on the significance of passion and how “it has to be the story that you would want to read, so others will read it.”
Another challenge in the writing process is having writer’s block. Amy suggests overcoming this challenge by understanding your capacity, writing in a shorter time period, and setting a goal. She adds that “If your capacity is 5 minutes, then figure out how to write for 5 minutes. Don’t think about the novel you haven’t written yet.”
Throughout the event, attendees were delighted to have their questions answered by their favorite authors, with topics ranging from their writing inspiration to their writing process.
Dr. Greg Younging was a nationally and internationally renowned expert on Indigenous publishing and a tireless voice and advocate for raising Indigenous voices in Canada.
In celebration of his work and his life, the Canadian Institute for Studies in Publishing and the SFU School of Publishing are deeply honoured to launch The Greg Younging Conversation.
This annual event will celebrate all aspects of Greg’s work from poetry to music to building toward a robust and thriving Indigenous publishing industry in Canada.
Greg was a true bridge-maker and could bring together even the most disparate voices, even if just for a short conversation.
One of Greg’s earliest mentors was Jeannette Armstrong, founder of the renowned En’owkin Centre in Penticton. Jeannette is this year’s featured speaker and will talk about his work as a publisher, poet, scholar and advocate.
In true Greg style, this event will be a conversation and Jeannette will be joined by Deanna Reder, chair of Indigenous Studies at SFU. Time will be provided to open the conversation to all in attendance.
The Greg Younging Conversation will take place annually on the first Wednesday in May.
Jeannette Armstrong is Syilx Okanagan, a fluent speaker and teacher of the Nsyilxcn Okanagan language and a traditional knowledge keeper of the Okanagan Nation. She is a founder of En’owkin, the Okanagan Nsyilxcn language and knowledge institution of higher learning of the Syilx Okanagan Nation. She currently is Associate Professor and Canada Research Chair in Indigenous Okanagan Philosophy at UBC Okanagan. She has a Ph.D. in Environmental Ethics and Syilx Indigenous Literatures. She is the recipient of the Eco Trust Buffett Award for Indigenous Leadership and in 2016 the BC George Woodcock Lifetime Achievement Award. She is an author whose published works include poetry, prose and children’s literary titles and academic writing on a wide variety of Indigenous issues.
Deanna Reder (Cree-Métis) is an Associate Professor in the Departments of Indigenous Studies and the Department of English at Simon Fraser University. She is a founding member of the Indigenous Editors Association (see www.indigenouseditorsassociation.com); currently, she is co-chair, with Drs. Sophie McCall and Sarah Henzi, of the Indigenous Voices Awards. (see indigenousvoicesawards.org)
Greg Younging may best be known more broadly for his work as the author of “Elements of Indigenous Style: A Guidebook for Writing By and About Indigenous Peoples” a seminal work that began during his time as a Master of Publishing student at SFU. The guide is fast becoming a staple for writers, editors, and publishers throughout North America.
His reputation in Canada as a leading scholar in Indigenous Studies often led him to take on important but sometimes very difficult work, including as Assistant Director of Research for the Canadian federal government’s Truth and Reconciliation Commission (TRC) of Canada.
Greg’s passion for making more space for Indigenous writing and publishing led him to complete a PhD focusing on copyright and Indigenous stories and at the time of his death in May 2019, he was a professor and co-ordinator of the Indigenous Studies Program at the Irving K Barber School of Arts and Sciences at the University of British Columbia-Okanagan.
A member of the Opsakwayak Cree Nation, Greg was the managing editor of Theytus Books, Canada’s oldest fully owned Indigenous Publisher from 1990 to 2003, returning to the role in 2016 until his death in 2019.
Congratulations to Alex Krilow, a third-year Communications and Publishing student who has won the first-ever Greg Younging Undergraduate Award in Publishing!
The Greg Younging Undergraduate Award was established in honour of Dr. Gregory Younging, who devoted his life advocating for Indigenous publishers, creators, writers, and designers across Canada. This $1000 award is granted annually to an Indigenous undergraduate student enrolled in our minor in Print and Digital Publishing to encourage the training of emerging Indigenous publishers in Canada.
Below is our interview with Alex Krilow, who is the recipient of this year’s award.
1.How do you feel as the first-ever recipient of the Greg Younging Undergraduate Award?
I am very honored to be the first-ever recipient of the Greg Younging Undergraduate Award. Throughout his life, Greg Younging has made incredible contributions in many different spaces such as publishing, the Indigenous community, the art council, public services, federal initiatives, and much more. I am thankful to win an award that has been dedicated to such an amazing man.
2.Why did you apply for the Greg Younging Undergraduate Award and how will it impact you?
I received an email from the Indigenous Student Centre at SFU and applied because I met the qualifications and thought it would be a good opportunity. This award will allow me to concentrate more on my studies and continue school without being stressed about my finances. As well, I hope to attend graduate school in the future, so completing my undergraduate degree without having any debt would be a great foundation.
3.How does Greg Younging inspire you and why is the award meaningful to you?
Seeing how much Greg has accomplished in his lifetime is inspiring because he motivates others like myself to follow in his footsteps and shows us what we can possibly achieve. This award is meaningful to me because much like Greg Younging, I want to support the Indigenous community. Currently, I am working for the Indigenous training program with Canada Border Services Agency, where I help with federal initiatives related to Indigenous studies. I am also volunteering as a social media assistant for the North Fraser Metis Association
4.Why do you think it is important to have more Indigenous voices in the publishing industry?
Throughout history, Indigenous voices have been put on the backburner, and in many situations, our voices have been under shadowed by other prominent figures in society. In the past, many Indigenous voices were suppressed, especially those who attended residential schools. Moving forward, it is so important to have our voices be heard and encourage more Indigenous writers and publishers to tell their own stories. Having more Indigenous voices and acting as a role model for other future Indigenous writers can inspire them to accomplish their own goals.
Recently, our MPub students had the chance to share their Magazine Media projects with industry professionals and classmates of the publishing community. The three teams presented their plans to a panel of industry experts: Jessie Johnson, publisher, and editor-in-chief of Asparagus Magazine; Anicka Quin, Editorial Director of Western Living and Vancouver Magazine; and Tania Lo, CEO & Co-founder of Tandem Innovation Group. The three panelists gave their feedback and advice on the different aspects of the team’s business plans including their mission, audience, competitors, business goals, marketing channels, and sustainability strategy.
The first team was The Modern Local, a digital publication that encourages readers to live local and connect with their neighbourhoods by sharing stories about community issues, arts and culture, and activities. As an online lifestyle magazine for a community-minded generation, their mission is to serve readers exclusively in the tri-cities: Langley, New Westminster, and Maple Ridge. The panelists praised them for their creative tagline, “Find the good life close to home” and for their workshop idea of creating a “best of local” award show to cultivate sponsorships.
Next to present was Spoil, a sumptuous web and print magazine showcasing food and cooking culture from across the world. Spoil is committed to fostering curiosity, connection, empathy, and diversity through a deep and nuanced passion for food. In particular, the panelists were impressed by the team’s chic design and quality of their magazine, noting that it was “delicious to look at.”
Last to present was Sprouts, an accessible hub of trusted information for parents with research-based content that contains actions and activities to help include kids in the conversation about the world we live in. Sprouts aims to curate actions and activities to do together to help kids learn and shape their future. Specifically, Sprouts was applauded for their content creation and audience personas.
The presentations allowed the teams to showcase their months of hard work to the publishing community and a panelist of industry professionals. Thank you to everyone who joined, we are looking forward to seeing you again for next year’s Magazine Media Presentations.